Remembering is difficult, and sometimes unpleasant: when former U.S. President Bill Clinton was questioned under oath about his relationship with Monica Lewinsky, he repeatedly prefaced his remarks by saying "I do not recall" or "I have no recollection" or "I don't have any memory" of the specifics of their relationship.
In John Hull's book "Touching the Rock: An Experience of Blindness", he comments on his own impending blindness, and the fear of forgetting what he looks like—what he calls "the horror of being faceless, of forgetting one's own appearance, of having no face." When one becomes blind, the visual world becomes a tangle of memories whose only reality is that of the rememberer.
What happens to the memories of sound and voices when someone becomes deaf? Do the sounds disappear? Or do they remake themselves in the process of remembering? Or are all of our remembrances fictions?
Remembering is the subject of Joseph Grigely's second solo show at gandy gallery. Grigely became deaf at the age of 10 after falling down a hill while playing the game of "King on the Mountain" with friends. For 38 years he has been totally deaf. At Gandy Gallery Grigely will present a installation of two videos and a series of photographs that play off each other in a way that imbricates the visual and the verbal into a tangle of remembering and misremembering. The axis of the exhibition is the theme song from the television show "Gilligan's Island," which aired for three seasons between 1965-1968: Grigely remakes this song through the voice of his own memories and the memory of his own voice: in the end, the truth that matters of not the truth of the song, but the truth of the imagination.
Grigely, who lives and works in Chicago, has had solo shows at the Whitney Museum of American Art, New York; the Anthony d'Offay Gallery, London; the Musée d'art Moderne in Paris; and the Barbican Centre in London. In 2004 he presented his first survey, "Ten Years of Conversations" at Yerba Buena Center for the Arts in San Francisco. His group shows include the 2000 Whitney Biennial, and most recently "Utopia Station" at Haus der Kunst in Munich.
1 "remenbering is a difficult job,but somebody has to do it" , 2005
super 8 film transfered to dvd, 2.35 m
digital video transfered to dvd, 4.55 m
3 archival color digital photos, each 16x24 inches
1 archival color digital photo , 11x17 inches
1 archival black and white digital photo, 10x8 inches
artificial palm trees
edition of 1/6 - 2/6
a separate edition 5 photographs
edition of 1/6 - 2/6